African Movies

Many moons ago I visited Gambia, it was one of the most amazing experiences in my life and I could talk about it forever but I will resist the temptation. As a movie geek I was amazed to find African movies, I am not talking about boring, artsy movies made in French and backed by European intelectuals either. This is the real deal, made by Nigerians for the African market and covering all the genres Hollywood does.

You may wonder how this relates to Reggae and RastafarI and there is no direct links, we are not talking movies about Jah, Dreadlocks or Soundsistims but considering how Afrocentric Roots Reggae is, any fan of the genre should be interested in them.

For years you could not get ahold of these movies unless you lived in Ifrica but Internet makes the world smaller and Nigerian movies more accesible. So, soon I wills tart covering Nigerian movies here. I will focus on the "traditional" movies about tribal matters but basicaly anything except the "Adult" genre will be covered.

For more info and ordering, check out these pages (that I am not affiliated whit or take any responsibility of):
Afrikan DVD

African Movies Direct

Jahranimo - Real life

Canada has a large, vibrant community of Jamaican immigrants and this has of course meant a very much alive Reggae scene whit plenty of artists, soundsystems and concerts. It's this scene that has given birth to the Jamaican/Canadian Dj Jahranimo. Just like others before him he converted to RastafarI a couple of years ago and this is something that is very visible in his artistry. What I did not know when i bought this CD was that his "Rap" influences where just as visible. Even though I love both Reggae and Rap I don't like when artists mix the 2 styles together to get some sorta bastard offspring (there is an truly horrible collaboration between Mad Cobra and Geto Boys who exemplifies everything i hate whit this cross pollination). But I guess there are exceptions to all rules and this may just be that exception to my disliking of "Rap/Reggae".

I pretty much bought this album on the strenght of the first song "Opposite" alone, it's a very good tune talking about those who are the "......opposite of everything that's right", exposing and discussing their wicked plans. It's one of the most rootsy tunes on here, very uplifting and catchy and would work perfect for any conscious soundsystem out there. Id love to go totally crazy on the dance floor to this tune. Next up is the heavily influenced "Up deh" who is way more representative of Jahranimos sound than the first song. It's very digital and bouncy sounding but most definitely whit a Rootsy message bigging up all church goers.

Fast forward a few "Hip Hop" sounding songs and we come to the title track "Real life", a biographical song about his upbringing whit his Grandma in Jamaica, his mom and all the tribulations Jahranimo went through growing up. It has a slight touch of R&B and would have been the perfect crossover pop hit whit it's soft but always qualitative sound. I really like this song and the lyrics feels very relevant and honest. After that it's back to the "Hip Hop" sounding songs whit "Must get betta" where Jahranimo spits uplifting rhymes about how things must get better when things feel as if they have hit "rock bottom". The beat is minimalistic and on a whole this is a song that tend to stick to your mind.

It takes a while for Jahranimo to find his way back to the Rootsier songs but it happens on track 16, "Jah jah love" that he does whit label mate Kirk Davis who has a very Yamie Bolo sounding voice, surprisingly enough i mus say that the more "Hip Hop" influenced songs sounds a little bit better even though this is not a bad song. Next comes "Judge not" who is as "Hip Hop like" as it gets on here. The album ends whit a remix of an earlier track, "Dance nice".

Over all i must say that this is a very good album, nothing for the fans of traditional or even newer Roots Reggae, the lyrics about Jah might be there but not the beats/music backing. At first I did not like "Real life" at all but it grew on me and turned out to be such a great album i just had to review it. One could tell that Jahranimo loves women (who doesn't ?) and many of the songs on here are dedicated to them. However, this is done in a respectful and positive way, you will not find no raps about hoes, bitches and sexual positions on here. If you're looking for a "Hip Hop" sounding dancehall album whit strong positive lyrics this is a good choice.

Bob Marley, the king of Reggae, now and forever

When we enter the realms of serious "music-nerds" one of the main issues is the search for and discovery of the latest underground talent, the one no one but you and a few fellow "nerds" have heard about. Once that artist is located a massive grass-roots information campaign can start to inform the masses about this artists virtues and how unfair it is that he/she is not more known.

I am very much a part of this phenomenon, i love to dig in the underground for artists no one has ever heard about. But somewhere something goes terribly wrong for a lot of "nerds" and they start to look down at the more known acts and those who likes them. I would say Bob Marley is one of the top victims for this music elitISM.

This guy was and will always remain the KING OF REGGAE no matter how popular he is or will be and no matter how many folks who does not care about Reggae that you will see wear his t-shirts. I mean, how many of us would even have discovered this genre and even more important RastafarI if it was not for Bob Marley? There is many good Reggae artists out there but none except Bob has achieved prophet status.

If you're one of the Bob Marley dissers, ask yourself if you're about good music (& messages) or if your interest in this genre is just some stupid & elitist attempt at boosting your own status. I am not going to hold back, it makes me cringe every time I hear some newbie fan hating on Bob and praising Burru Banton or St.Croix reggae (i am not hating on Burru or St.Croix though) just to boost their own status as a "Reggae-know-it-all".

So please, a Reality check might be of interest for some of y'all!!!!

RasItes - Urban regeneration

Except for Jamaica i would say that the UK boasts the strongest Reggae scene of all countries. This may be much due to all the Jamaican immigrants and their offspring, but still..... England has been holding it down almost since day one and the Brits are still going strong. You may know bout (& love) their "Lovers Rock" sound but please do not miss out on the Rootsier acts. These young locksmen in "RasItes" show that the RastafarI spirit is well and alive in the Great Britain. If you like the sound of the 70'ies but wants it a lil bit updated you might do good in checking out this Cd.

We start out whit "Chop the corruption", i have not seen this group live but this song would be just the perfect song to start out a concert whit. It has this anthem/theme music feel to it and the Cd could not get a better start, it's catchy and energetic and sums up the "RasItes" sound perfectly. Next comes "High grade", wonder how many Reggae songs who has that name? If y'all did not know it's a weed song, or more exactly dedicated to all who sell/grow/smuggle weed and at the same time a song that is against all other illegal substances (such as crack). It's a nice song, kinda uptempo and danceable, dunno if it's just me but weed songs tend to get a little boring to me (cant stop to think about retarded stoners who says "dude" too often when i hear these kinda songs).

One of my favourites on this album is "Crazy lazy" who is about people who is to lazy to bother whit work or anything else they are supposed to do in life, it's very catchy and sticks to your head. You will hum it for days and it just won't leave your mind, from this point all u need to do is to think about the song for a few seconds for it to play nonstop in your head again for a few days. There is also a few covers like he superb "Picture on the wall" (love the song but RasItes don't do much whit it) and the lovesong "Danger in our eyes" (which i heard first done by Mighty Diamonds).

To sum things up id say that this is a superb album and the perfect album to start whit if you want to familiarise yourself whit British Roots-reggae, you can often find it used on Amazon for like 0.99$ so there's no need to spend your money on risky imports or digging deep for rare records not available here in USA. As far as sound goes i would compare "RasItes" to a mix of "The Mighty Diamonds" and "Morgan Heritage" (something that should most def. be taken as a compliment) whit plenty of originality to spice things up further. If there is one thing that's negative whit this album it is that it gets you hooked to their sound so much that you will go out searching for more albums, only to find that they haven't made any. I've got the feeling that they still perform together so let's bombard them whit attention and e-mail requests for more albums.

This is me

I am not on no ego trip or nothing posting a photo of me on this page but personally I always find it interesting to see an photo or something of the owner of sites or blogs. If you think otherwise, too bad, just ignore this.

Downloading music, good or bad?

The everlasting question nowadays whit internet and mp3z is wheter it's good or bad to download music, personaly i have been downloading tons of stuff for years and I don't feel bad about it and will continue doing so. But i do also buy as much "real" Cd's as I can (the last few albums I got was 2 Mighty Diamonds cd's and 1 whit Shaka Man) and it also happens that I buy Cd's iv'e already downloaded.

I do not think that downloading is a problem if you make shure that you keep on buying music. Let's make one thing very clear, a lot of these artists only income is from their music and no matter how much our music has grown, IT IS STILL A SMALL GENRE compared to other music. If we see downloading for free as an viable option to buying music we do our beloved Reggae genre a lot of damage. So please, keep buying music no matter how much you download.

Lyrical Benjie - Rastaman Style

Anyone who has a clue about what goes on in Reggae knows that European Reggae (wheter it comes from migrated Jamaicans on natives) is thriving and growing like crazy right now. The UK-scene has been strong since the 80ies and the German reggae vibes been going strong for a while now but what about Holland? It would be strange if Reggae was not big in the original country of legal Marijuana. They've been kicking it for a long time, in fact the first live reggae act I saw was the Dutch "Revelation Time".

One of the Dutch artists that has impressed me the most lately is Lyrical Benjie, a 100 % strictly Roots artist whit a powerful message and voice (you gotta check out his "Ten plagues" track, not on this release). He's heavily affiliated whit the soundsystem King Shiloh and to an extent also whit my Swedish natives in Shilo-ites. To my knowledge this is the first of 2 releases he has out (available thru Cafepress on Cd).

First up (of the 6 tracks) is "Rastaman style", an anthem like song praising the Rastafarian way of life and bigging up those who decide to live according to it's principles, it's a pretty upbeat cut, kinda relaxed but still whit a certain energy to it, very danceable. Next comes "Til Shiloh comes" and it's not about some certain movie stars much talked about son, lol :D It's about the message of Jah and the prophets who has chosen to preach it and how gods children must rise and create a new, righteous nation. Very informative and uplifting for shure. If we skip one (very good) track we come to "In the city" where Benjie sings"...tell me how you are living in the city or are the city living in you?" It's basically a plea to all folks to not let tough times in nasty cities get to them and to seek salvation in Jah, when times are tough as well as when they are good.

You might react to the fact that you have to pay full price for what at first may seem to be an EP, the 6 tracks included however, are often like 7-8 minutes long and include an extended dub so it's more like you get 12 cuts, kinda like those showcase albums which feature the song and then the dub mix right after it. If you are into modern roots music whit heavily religious (read RastafarI) lyrics this is a very good album from an artist who clearly have the heart in the right place. Lets support guys like this whit our wallets, if you want to he got a few tracks on Myspace to download.

Lyrical Benjie Myspace Page

The Official homepage

Culturellenium Vol.2

I dunno if y'all have started to notice a trend on this blog but i tend to try and focus on non-Jamaican Reggae as i feel there is so many talented artists out there that goes unnoticed due to geographical reasons. By now we should know that Reggae has gone international, there is tons of great groups from Europe and USA but also from a whole heap a West Indian islands. Among the best of them is the Virgin Islands.

They have been around for years and their output of conscious reggae is nothing short but amazing, i could throw superlatives for forever about them but let's just settle whit that their constant output of high quality Roots Reggae defies all logic's, a label from such a small place should not have resources to put out this much good music. For those not aware of this label and the Virign Islands Reggae scene, what could be better than a compilation? Culturenium pt.2 is a very good introduction to the scene!!!!

We get 17 tracks of pure fyah, based on 3 riddims and featuring both established artists such as Midnite and Dezarie while not forgetting bout the underground acts such as Ahjahmel and Boy Blue. On a ideological level this is a fairly conservative album, being against Gays, questioning science and modern health care, denouncing the sexual revolution etc... If you are not an Rasta you may have some objections to the lyrics. I'm not big on gay bashing myself but apart from that I don't find the lyrics too questionable.

No matter how good the artists on here may be doing no one is beating Dezarie on track 2, "Waiting on Jah". This is an amazing song, not so much because of the riddim (who is by no means bad) but because of the harmonising/singing of Dezarie, I've liked her since I've first heard her (she even looks great) but this is probably the finest song of her career. She manages to create an almost middle-eastern, melancholic atmosphere on here, very beautiful. The riddim demands a lot of the artist to make it work (since it's pretty anonymous) but Dezarie squeezes out the most of it.

Another track that stands out is track 6 with the to me unknown Ahjamel who does "Dr.Jekyl" a meditation on the crooked doctors of Babylon who only makes things worse for their patients. Roots reggae usually isn't that humorous but Ahjamel manages to pull a few heavy punches at Babylon but still keep it lighthearted and evoke a smile on the faces of the listeners, you can also notice that this is a seriously personal account on something he himself experienced. Not that the riddim is bad or nothing but it's the lyrics who makes this a truly great song.

Then we got the always good Ras Attitude whit "Stop chat" whit his recommendation to all folks who talk bull about Haile Selassie I being dead etc to just simply shut up cause they got no clue. Among the hordes of new Roots artists that has come out id say that Ras Attitude is among the better and he proves himself worthy of praise on here (he got another 2 songs on here).

In general i would say that this is a very strong compilation full of great contributions from both "well known" and newer talents of the Virgin Islands scene, if you're not familiar whit it this is a great introduction and fans of modern Roots Reggae will not be disappointed

Soldiers of Jah Army - Peace in a time of war

Nowadays it almost seems as if the best Reggae comes from outside of Jamaica (i know, it sounds blasphemous to say or write it) and Soja (Soldiers of Jah Army) is this collective of 5 conscious Rastas from Washington DC who's been releasing albums since 2000. This release is from 2003, their latest is from 2006. This can most definitely be defined as "intellectual Roots Reggae", they don't settle whit stating that babylon is bad and that we should praise Jah. They go deep into the reasons why and speaks about the media brainwashing us, "politrixians" and more substantial subjects.

The album starts excellent whit "Revolution cry", a much personal reflection about feeling alienated from society and what this world is coming to, what we leave to our children. Once may think it's your regular "this society sucks" song but it's so much deeper than that. It has a kinda "Rockers" vibe to it while never straying from the rootsy feel of this album. Next up is the equally great "Reality" who deals whit the conflict of intellectualism and religion and reminds us that Jah gave us the ability to think, analyse and find solutions to problems and that we should not value ourselves and our minds to high cause there are still a lot that we don't have the solutions to. It's a song whit a refreshing drive and energy to it, you wanna go out and act more than to sit home smoking after having heard this song.

"Peace in a time of war" is about "politrix", the Bush administration, it's policies and how the American people was thinking when they elected this much criticised man to be their president. One could probably write page upon page about this subject. What makes this song stand out is once again it's intellectual touch and how it's not really a Bush diss song but more one being critical to politicians in general. One of my favourites on this album is "Rasta courage" where the singer say "...don't defend no black and I don't defend no white, I defend the truth and all of that", much important lines shattering one of the biggest missunderstandings about RastafarI as some sorta vehicle for black Racists who want to kill all whites. It's not about that, it's about truth and righteousness and the often strong "pro black" sentiments being found in RastafarI is just a side product of this "truth and righteousness" stuff. The song itself is a little more laid back than some of the other songs on here but still not too slow.

As far as their sound goes it's a very clever blend of genres where Soja never looses focus on what is commonly termed as "Roots Reggae", they manage to blend in touches of Rock and contemporary music whitout ever alienating their core crowd. Im usually no fan of the fusion of genres (not even those i like) but i can live whit this (even thoroughly enjoy it) as SOJA knows exactly how far they can go before things turn into a missmatch of genres satisfying no one.

Well, this is a Cd that really get's my brain going and the lyrics are "top notch", smart and original but always from a RastafarI point of view. This is one of those albums whit no "filler" songs and is much recommended to those who want to exercise their brain a little. Now i just can't wait to discover the other albums SOJA has out, i guess i just made my already loooooong "want list" a little bit longer.

http://www.sojamusic.com/soja/

Biblical - Inborn precepts

It don't matter where you look in the world, everywhere you gon find Reggae and wherever you find it Rastaman stand strong.Warms my heart that the words of Jah have an revival in the music i love, when i started jammin Marley in the early 90 ies slackness reigned supreme but no more. This is one of many new Roots releases from beyond the shores of Jamaica, to be more close California and the Higher Bound Productions camp, a bunch of young Rasta's who live for this 24/7 and produces Rootsmusic whit a modern, updated sound and strictly conscious lyrics.

The first thing that hits you is the enormously beautiful cover painted by Ras Terms (you have to check out his myspace page) and I'm not kidding when i say that this is one of the nicest Reggae covers iv'e seen in a very long time, I'd love to have this on a t-shirt. But enough about it, you don't listen to a cd-cover. Biblical is a singjay dj and while keeping it Roots you can absolutely feel a dancehall vibe on this cd, not as rowdy as some less conscious acts but....

First up is "Jah works",music wise it kinda reminds me of the backing of a early Yammie Bolo track or something, strong digital roots vibes whit a touch of more organic sounds. Not a bad song at all but not incredible memorable either. As far as lyrics goes it's one of many songs on here paying tribute to Selassie I and Jah. Like I said, Biblical is a singjay Dj but whit a more "singy" style than toasting, nothing like the much prevailing Bobo chatters. His voice is what I'd call "rough lite", a lil raspy but not very much for still being considered that. Next comes "Let luv in", a plea to all warmongers out there to chill and let god and love into their lives, it does not feel quite as "digi-roots" as the first track, once again a good song but not amazing (this is the albums biggest problems, being good but not too memorable).

3rd track is "Eyes can see" about how obviously true Rastafari is to Biblical and how it stands for everything good in the world, it's a smooth track whit soft and relaxed backing. A few songs further in comes"deliver the poor" whit labelmate "Ishene" and deals whit Biblical wanting god to provide for the poor and make shure that they overcome all their problems. It has a strong backbeat and is so far my favourite on the album, it's also the first song whit another artist (and the last except for another one whit "Ishene"). The presence of "Ishene" ads to "deliver the poor" and makes it pleasantly stand out from the other tracks on here. Another good song is "Psalms and proverbs" and to keep things short it deals whit receiving the blessing of Jah and how you can't go wrong if you do receive it. It's once again a pretty smooth song but still Biblical at his most energetic and most toasting, this is no hype party album but you won't come closer to it here than on this song.

The rest of the tracks is pretty much more of the same thing. There is plenty to like about this album, Biblical is diehard Rasta and does not compromise,he does not rely on washed out riddims used to often by others and the lyrics are interesting if yet a bit repetitive. But I gotta be honest, it fails to be really memorable and Biblical is a little to monotonous in his flow sometimes. But he's very new artist and this is his first album, give him some time and i think he really will shine. Buyworthy if you have some money laying around but not essential.